Movies: Sergei Eisenstein

A German reporter visits Hollywood and is escorted through the MGM Studio by a German nobleman, who is working there as an extra. They meet and speak to several actors, primarily Buster Keaton, John Gilbert, Joan Crawford and Heinrich George. Then th...

The true story of Mei Lanfang, China's greatest opera star; a husband and father whose world-wide fame came from the portrayal of women. His fascinating life was the basis for the feature film Farewell My Concubine....

A farcical war between the forces of Commercial Cinema and Independent Cinema....

The Island of the Dead is a film about the demise of the Russian Epocha Modern. The symbol of this culture was the legendary Russian film star Vera Kholodnaya, who evoked a poetic image of the young urban woman on the silver screen. Her death in 1919...

"Eisenstein journeyed to Mexico in late 1930 to begin shooting a film. With backing provided by Upton and Mary Craig Sinclair, the great Soviet auteur planned to make an epoch-spanning pageant of Mexico’s political history and cultural iconography, m...

The story of Russian director Sergei M. Eisenstein in Mexico trying to film his unfinished ¡Que Viva Mexico! - Da zdravstvuyet Meksika! (1979)....

Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work....

Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The project...

Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931/3...

As a teenager, Sergei Eisenstein signed his drawings with "Sir Gay". Mark Rappaport sees clear signs of his sexual preferences throughout the Russian’s film oeuvre. Numerous asides illustrate how Hollywood productions likewise frequently played with ...

Eisenstein shot 50 hours of footage on location in Mexico in 1931 and 32 for what would have become ¡Que viva México!, but was not able to finish the film. Following two wildly different reconstruction attempts in 1939 (Marie Seton's 'Time in the Su...

In 1941, a group of the Soviet Union's most prominent Jewish writers and artists, including Solomon Mikhoels, Peretz Markish, and Sergei Eisenstein, signed an appeal to Jews throughout the world, asking them to join the Soviet people in fighting agai...

Eisenstein is celebrated either as the last Leonardo da Vinci of modernity or attacked as Faustus, Faustus who made a pact with the devil. Whichever is the case, neither friends nor foes are able to resist the powerful draw of Eisenstein's work. He w...

Inspired by the social changes that the Revolution brought to our country and the admiration he felt for Mexican art, the Russian filmmaker Sergei M. Eisenstein traveled to Mexico with the intention of filming a film mosaic that culminated in the mos...

In August 1941, two largest Soviet film studios Mosfilm and Lenfilm were evacuated to Alma-Ata, Kazakhstan. There, together with the newly founded Alma-Ata Film Studio, they were merged into TsOKS (Central United Film Studio), which became the main c...