Movies: Teo Hernández
- 1957
The Sun Also Rises (1957)
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A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain....
- 1978
Cinématon (1978)
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Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...
- 2011
Nuits transparentes (2011)
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Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York)....
- 2021
Les Jours et les Nuits (2021)
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I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin....
- 1984
Citron pressé au Blue Bar (1984)
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The banner of the Cannes Festival shows its three premises: glory, money and politics. If you film the banal, the naive and the superficial of the atmosphere in Cannes at that time, it is for nothing more than to rescue the beauty of the water of its...
- 1978
Cristaux (1978)
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The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural. At the same time, the film contains a...
- 1968
14, Bina Garden (1968)
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"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."...
- 1978
Cinématon II (1978)
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Reel 2 of Gérard Courant's on-going Cinematon series....
- 1984
Mesures de miel et de lait sauvage (1984)
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Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”...
- 1979
Maya (1979)
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Hymn to nature, song to the cosmos, Mâyâ builds a world where the camera generates a new type of representation in which the depth of field is reduced to the essential. Everything happens, in a way, on the same surface....
- 1987
Juste une promenade (1987)
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Images of the filming process of Bernardo Montet on a beach....
- 1977
Liberté provisoire (1977)
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Liberté provisoire takes from everyday life, transforming the ordinary into a sensory delight. Walks in the Belleville district, Ménilmontant, leading to Père Lachaise cemetery, to the tombs of Piaf and Sarapo....
- 1985
Chutes de Midi (1985)
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Discarded images from the movie “Midi” (1985) mounted to give rise to a new film....
- 1980
La Femme en vert (1980)
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- 2014
Teo Hernandez sur Radio Ark en Ciel (2014)
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- 2014
Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II) (2014)
Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)02014HD
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- 1983
Chutes de Feuilles d’été (1983)
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- 1981
Pascal (1981)
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From the series "Portraits" : Pascal Martin...
- 1987
Vloof the Egret: Monkey Bread (1987)
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The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to color, is the vertiginous record of a cross-dressing act, or a therapeutic performance on identity. Presented for the f...
- 1988
Le Déjeuner (1988)
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Filmed in 1988 on the occasion of the parties at the house of Marie-Noëlle Delorme. Shot with camera in hand to small bursts of frames and almost image by image, but then slowed down....